Norman Seeff photographs SCTV. Rick Moranis dresses up as Norman Seeff in this photo shoot and later on SCTV.
Transcript:
your
pictures for Life Magazine it’s not
often that you see the members of Second
City television in character outside of
their SCV Studios but the lure of a
15-page pictorial essay in Life Magazine
was enough to bring out John Candy is
divine Dave Thomas is Bob Hope Eugene
Levy is jeene shot the hosers Andrea
Martin is Sher and Katherine O’Hara in
her now famous Katherine Hepburn to the
temporary Studio of photographer Norman
ca for 10 years SE has been one of the
hottest photographers in North America
his first Venture into commercial work
was this shot of the band used for the
back cover of one of their albums other
album work has included Carly Simons
playing posum and Steve Miller’s The
Joker some other photographs in his book
Hot Shots are the first balloon picks of
Steve Martin Frank Zappa Jackson Brown
and this very candid shot of the monkeys
st’s essence of Photography is to bring
up the real people behind the myth and
he does it through communication I think
what actually happens is when you work
with people people you open up an
intensity and if it feels right then and
there and they don’t and they feel like
you’re not manipulating or uh attempting
to make something happen by forcing it
most people will just start being
themselves get out as I became more and
more involved with photography I
realized that just making pictures was
not sufficient that what really
intrigued me with the human beings that
I was photographing now that that was a
great shot that was a great oh I had a
great jot most people say well you know
photography is a technical process I
think it’s got nothing to do with
technicality you know in terms of what I
do but it has to do with human
communication and and relationship what
I’m going to do is do what I need to do
to get the shot and I’m going to forget
about the room and and I I’m I’m I’m
really serious now cuz when you work
with seven people it’s really necessary
that you work with me and we we kind of
like keep going like I need eye contact
which is just what I’m getting now okay
yeah now so in other words once you’ve
got the general feel of the character
you can just create then I go in and
write the gags and the specific jokes
you know the The Hop isms that kind of
thing but I discovered another thing too
when I actually met him and that is that
uh his I was showing too much neck and
that if I actually let my head uhhuh go
down more like that you
[Music] know we got
[Music] it I’ve got everything I
I got to go back on the set thank
you watch the
nose

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